Junior Mance, a jazz pianist who worked alongside countless musical trailblazers during his 75 years on the bandstand and whose style was anchored in a deep understanding of the blues, died Jan. 17 at his home in New York City. He was 92.
The cause was complications from Alzheimer's disease, said his wife, Gloria Clayborne Mance.
Mance, who was a professional musician at the age of 10, had one of the longest and most varied careers in jazz, beginning in the 1930s and lasting well into the 21st century. He appeared on hundreds of albums and had fruitful musical partnerships in the 1950s with singer Dinah Washington, saxophonist Cannonball Adderley and trumpeter Dizzy Gillespie.
He was active through several major periods of jazz innovation, from swing to bebop to a freer, postmodern style, but Mance's approach was always shaped by the blues, which he absorbed from childhood.
"Living in Chicago, that was Bluesville," he told Newsday in 1987.
In his late teens, he became the pianist for Chicago saxophonist Gene Ammons, the son of pianist Albert Ammons, and played with visiting musicians, including saxophonists Charlie Parker and Sonny Stitt. In 1949, he joined a band led by Lester Young, one of the defining voices of the tenor saxophone.
"The first time I played with him," Mance recalled in 2013 to the Jerusalem Post, "he called a record date, and I thought, 'What am I going to do on this?' There was one tune that didn't have a title. So when the sound engineer asked him what the name was, Lester just looked round the room and then at me and said, 'Oh, that's called "June Bug." ' That was after me!"
Drafted into the Army in 1951, Mance was training as an infantryman and was on guard duty one night at Fort Knox, Ky., when he heard music coming from a service club. During his break, he entered the club and saw a band led by Adderley, an alto saxophonist then stationed at the base.
Mance, still wearing his helmet, cartridge belt and combat boots, asked if he could sit in on piano. Adderley gave him a wary look, then agreed. Mance, who hadn't touched a keyboard in weeks, played an extended solo that had the band members snapping their fingers.
After his discharge in 1953, Mance returned to Chicago, then spent two years as the pianist for Washington, a dynamic blues and jazz singer.
He joined Gillespie, one of the founding figures of bebop, in 1956, touring the world and making several recordings with him.
Julian Clifford Mance Jr. was born Oct. 10, 1928, in Chicago and grew up in Evanston, Ill. His mother was a housekeeper, and his father was a clothes presser and amateur pianist.